Sorry for not updating more, but I caught the flu last week and can’t seem to get rid of it!

Anyway, here are four lovely pieces which came in the mail today! What a lovely way to start a week - I’m not usually that fond of mondays…

Three of the pieces feature the famous Face design - one in silver and two in what I suppose is guilt bronze. The forth is a cross with what looks like an eye. Would be interesting to know the symbolism behind that. I’ll see if I can figure it out and let you know! :)

/Marcus

As a weekend treat, here are some more photos of this, in many aspects, mysterious man!

No more posts during the weekend, but next will there will loads of interesting posts, check back then!

/Marcus

The latest piece in my collection, isn’t one of the most beautiful thing you’ve ever seen? :D
Anyway, I would appreciate some feedback. Please email me att mishehu_86@hotmail.com, and let me know what you think of this blog, if there’s anything in particular you like to know, or if you have photographs or information to share! :)

The latest piece in my collection, isn’t one of the most beautiful thing you’ve ever seen? :D

Anyway, I would appreciate some feedback. Please email me att mishehu_86@hotmail.com, and let me know what you think of this blog, if there’s anything in particular you like to know, or if you have photographs or information to share! :)

Yet another scan, of what seems to be an ad for Kultateollisuus KY in the early 70’s.
“Jeweler and head planner, artist Jorma Laine has made the hugely popular and accessible jewelry series “Loihtu”, “Vanamo” and “Ruutu”. The jewelry’s architectural clean lines combines succesfully ancient finnish heritage with brave, unprejudiced new design.”

Yet another scan, of what seems to be an ad for Kultateollisuus KY in the early 70’s.

“Jeweler and head planner, artist Jorma Laine has made the hugely popular and accessible jewelry series “Loihtu”, “Vanamo” and “Ruutu”. The jewelry’s architectural clean lines combines succesfully ancient finnish heritage with brave, unprejudiced new design.”

I’ve had the fortune to have contact with one of Jorma Laine’s children the last week. Her name is Annukka Laine, 52 years old today, and an artist herself. She has been kind enough to contribute with a short biography on her father, and share some personal photographs. I hope you will enjoy this like I have, words can’t really begin to describe how grateful I am for her willingness to let us know more about her father.

My father was born on 10th of July 1930, he was the eldest and only son of the family. He was born in Turku. His parents were from the working class and were not directly involved in handicrafts, but my grand-father was very talented in making everything with his hands.

 

My father was artistically always very talented. When he was young boy he spent his time drawing most of the time. He studied in a very famous art school in Turku, Turun Piirustuskoulu.

 

He died 27th of December 2002 from heart attack. Alone in his small log house in the forest. He was more or less a hermit. He was very happy that way. In the Summer 2002 he said: “If people knew how happy I am! “

 

My father was a special guy. He did not like people much, but loved his own solitude. He was not a family man either. But he loved nature and animals, especially birds, he loved history and culture, and he was continuously inside some inspiration cloud. He was not only a jewelry designer, but also a very talented painter and sculptor, a medalist. He made things of all materials. Also ceramic and glass. Wood and leather. What ever. And every peace he made was amazing. Also your king has one pair of my father’s cufflinks and Carl Gustav also have written a letter to my father to thank him, but unfortunately an other person has the letter :-)

 

But as so many talented people, he was a bit shy, not commercially orientated at all, he did not prefer the crowds, did not know how to defend himself really, drank alcohol quite much. I don’t think he was alcoholic, but he consumed some…. :-)) 

 

My father married for a first time quite young (year?) and had a son J***. J*** was six years older than me. There was divorce and my father never really knew how to be a father to his son, and later to me. J*** committed suicide in Sweden, Stockholm, 1985, at the age of 33. That broke Jorma’s heart and from that date he got a heart disease and had to take medication for the rest of his life and he also died from heart attack.

 

I was born in the second marriage 1958 and I was one when my parent’s divorced. So my father never married again but had many women, he loved women :-)) And women loved him.

 

He earned a lot of money but he never had money. He died in a small log house in a forest alone, as he also had lived alone. But happily. Nothing fancy, a simple life, but he was very happy and that is what counts.

 

My father was a very deep old soul, I would say. He understood the essence of many things. He did not talk much, but there was something in him. It could be seen in the eyes as well. or perhaps it was this  connection between daughter and father.. He was very much rooted in the nature. Animals were not afraid of him. Even a moose could come to his yard to “talk” with him and in a hot Summer day my father offered him to drink water. My father followed very nearly the birds’ life on his yeard. And I remember when my father was dead the birds were like crazy. Two dead birds were found inside the house as they had tried to come in.  And also outside they seemed to be nervous, like looking for him. He always gave them food.

 

When I was like 13 and we were walking in the forest, my father told me about elves. He saw elves. He could see all kinds of nature entities and describethem. For him they were reality. I know other people that also can see elves, but it is very rare… :-) But he could. He was part of that world.”

Written by Annuka Laine, Sept. 2010.

Here’s yet another scan. I’m not quite sure of the source for this one, but it must have been printed in 2008 according to the text. It features three gorgeous color photos and a short notice about his recent recognition in the world of vintage jewelry.
“Sensation In SilverSix year after his death Jorma Laine is discovered by the world of design.
When Jorma Laine died in 2002, 72 years old, it had been 30 years since I closed his studio in Turku, ignored a growing interest from USA and left for a desolate, primitive cabin in the wood outside of Piikiö.“He was a mystic and felt connected with animals, especially the birds, who symbolised the freedom he wished for himself” says art historian Ismo Salonen at the University of Helsinki, who has taken care of the estate in the abandoned cottage. Today Jorma Laine’s skilled craftmansship is on it’s way up to the same league as Tapio Wirkkala’s.“Even if the ending prices ends up low, it is only a matter of time before more people realise his greatness as a designer” says Tuija Tervo at Hagelstam auction house in Helsinki.In Stockholm the second hand shop Jackson picked up Laine’s jewelry early, with prices aroudn 3000 crowns.”

Here’s yet another scan. I’m not quite sure of the source for this one, but it must have been printed in 2008 according to the text. It features three gorgeous color photos and a short notice about his recent recognition in the world of vintage jewelry.

“Sensation In Silver
Six year after his death Jorma Laine is discovered by the world of design.

When Jorma Laine died in 2002, 72 years old, it had been 30 years since I closed his studio in Turku, ignored a growing interest from USA and left for a desolate, primitive cabin in the wood outside of Piikiö.
“He was a mystic and felt connected with animals, especially the birds, who symbolised the freedom he wished for himself” says art historian Ismo Salonen at the University of Helsinki, who has taken care of the estate in the abandoned cottage. Today Jorma Laine’s skilled craftmansship is on it’s way up to the same league as Tapio Wirkkala’s.
“Even if the ending prices ends up low, it is only a matter of time before more people realise his greatness as a designer” says Tuija Tervo at Hagelstam auction house in Helsinki.
In Stockholm the second hand shop Jackson picked up Laine’s jewelry early, with prices aroudn 3000 crowns.”

This one is perhaps my favourite pendant in my collection. It’s just so incredibly gorgeous, evoking scenes of violent waves breaking against steep cliffs where the bird seek shelter. Here we see again the bird I talked about in an earlier post.
I bought this piece of Ebay, and according to Marc and Maiken (utopia2000 on Ebay, check them out- tons of beatiful jewelry!) this was old stock from a jeweler who closed so it had never been worn. It had the most beatiful yellowish patina when I recieved, but it has been polished away and dulled from wear. Still beautiful though :)

This one is perhaps my favourite pendant in my collection. It’s just so incredibly gorgeous, evoking scenes of violent waves breaking against steep cliffs where the bird seek shelter. Here we see again the bird I talked about in an earlier post.

I bought this piece of Ebay, and according to Marc and Maiken (utopia2000 on Ebay, check them out- tons of beatiful jewelry!) this was old stock from a jeweler who closed so it had never been worn. It had the most beatiful yellowish patina when I recieved, but it has been polished away and dulled from wear. Still beautiful though :)

Here are some more scans, perhaps not so exciting, but I think they’re still worth posting. These are small guarantees that came with the original jewelry. Loosely translated they say that “we verify that this Jorma Laine design is genuine”. The first one is from Silver-Laine, Jorma’s own silversmithry and the second is for Turun Hopea, the same firm were the celebrated finnish jeweler Pentti Sarpaneva worked.

As promised, here’s the second catalogue scan!
I think this one is more exciting that the second, for various reasons:
1. Many designs here are very traditional, and departs from the outlandish and sometimes outrageous designs we’re used to seeing.
2. One can see how well Jorma constructs his work, when it comes design. Even the simplest designs are beautifully composed in term of form.
3. The influences that can be seen in the designs. From the ancient Egyptian life symbol of the Ankh present in the first pendant, top row, to the lingering Jugend forms seen in some of the flowery designs to the Art Déco  seen in the stylized fruits and body parts. Versatile, but still easily recognizable as Jorma Laine pieces.
Out of the designs seen here I only have 3897 in my collection, which makes a bit sad as some of these are truly beautiful. The fallic fish hook makes me drool! The apple with the facetted rock crystal and the pear are also totally delicious!
[Thanks to Mika @ freetechnics.fi for the scans!]

As promised, here’s the second catalogue scan!

I think this one is more exciting that the second, for various reasons:

1. Many designs here are very traditional, and departs from the outlandish and sometimes outrageous designs we’re used to seeing.

2. One can see how well Jorma constructs his work, when it comes design. Even the simplest designs are beautifully composed in term of form.

3. The influences that can be seen in the designs. From the ancient Egyptian life symbol of the Ankh present in the first pendant, top row, to the lingering Jugend forms seen in some of the flowery designs to the Art Déco  seen in the stylized fruits and body parts. Versatile, but still easily recognizable as Jorma Laine pieces.

Out of the designs seen here I only have 3897 in my collection, which makes a bit sad as some of these are truly beautiful. The fallic fish hook makes me drool! The apple with the facetted rock crystal and the pear are also totally delicious!

[Thanks to Mika @ freetechnics.fi for the scans!]

This lovely little piece came in the mail today. Quite a surprise, since I totally forgot that I won it on Tradera (a Swedish ‘Ebay’ type of site)!

Anyways, ain’t it just lovely? It depicts an exciting nautical scene - you can easily picture the ship disappearing over the horizon as the sun sets, with seabirds circling the ship! There are a few variations in size on this pendant, this I believe is the ‘medium’ size. There is one bigger with a fish underneath the boat and with a full sail, and one smaller that’s quite similar to this but with a few minor details changed. The birds that sits on the mast can also be find on other designs, such a the “gear” brooch/pendant that can be seen in catalogue scan below.

The humans in this particular design are also interesting. They are very stylized and are used in much of Jorma’s work in silver. I just bought a ring in silver on Ebay, where they appear, but with their arms raised. Jorma Laine re-used lots of different element in all kinds of designs and settings, and that’s really helpful when deciding if a piece is designed by him or not. The ring I mentioned was only stamped “Kultateollisuus KY”, but it must be a Jorma Laine design since it featured these trademark, heavily stylized persons.

The pendant measures about 4x5 centimetres, with a nice weight to it and is signed “FINLAND BRONZE” and with Jorma’s signature.